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publications théâtre – Atelier Grand Cargo

Catégorie : publications théâtre

  • où vont les paroles quand le vent les emporte ?

    où vont les paroles quand le vent les emporte ?

    Petit traité de la marche au désert, ou propos sur la bipédie qui permit aux hominidés de sortir d’Afrique, Où vont les paroles quand le vent les emporte ? est un texte de fiction assemblant des faits réels et des situations vécues par l’auteur au Sahel.

  • hibakushas oppenheimer

    hibakushas oppenheimer

    Deux survivants d’Hiroshima, les Hibakushas, s’entretiennent avec Robert Oppenheimer, considéré comme le père de la bombe atomique.

  • l’essoufflement de l’ange

    l’essoufflement de l’ange

    Angèle, un ange nage dans les eaux du détroit de La Sonde et croise le regard bleu du Grand Mérou opaline, et le poisson lui mange la mémoire. Petit à petit, les mots et les souvenirs s’échappent. Comment annoncer ce désastre à Ange, son compagnon ?

  • tenir la main tiède de la femme endormie

    tenir la main tiède de la femme endormie

    Un homme parle à un ami, Giorgio… Un ami invisible. L’homme raconte qu’il rêve à une femme endormie, une femme qui rêve… Qui rêve à un homme qui parle à un ami invisible et rêve à une femme qui rêve…

    liste des pièces à lire

    traductions

    Conçu pour un orchestre de cinq instruments, une chanteuse et un narrateur, ce texte est une commande qui fut refusée après écriture. Le titre posa problème, le commanditaire y percevant des intentions sexistes. L’ensemble du texte fut évalué à cette aune et considéré comme ambigu. De surcroit, la chanteuse indiqua ne pas y trouver une profondeur suffisante permettant de nourrir son interprétation. Je crois que ce récit sommeillera dans les espaces numériques comme une méduse entre deux eaux… Qui sait, un jour, peut-être qu’il piquera un imprudent ?

    information importante

    les textes sont libres d’accès pour la lecture individuelle et privée – une demande d’autorisation est indispensable pour toute autre utilisation

    contact

  • Niobé, un matin

    Niobé, un matin

    C’est le récit de la vie d’une femme amoureuse, perdue et éperdue. Elle aime un homme tel qu’il est et le prend dans son intégrité de la beauté à l’obscurité. C’est aussi le trouble de l’orgueil, poison subtil qui fait perdre la raison et provoque la chute, stimule le comportement vers une folie stupéfiante. Convaincue par l’illusion d’être supérieure ou égale aux divinités, Niobé laisse ses quatorze enfants se faire massacrer. La conscience tardive de son malheur la pétrifie, elle devient rocher avec deux ruisseaux de larmes. 
    Nous la découvrons à son réveil après mille ans, mille jours, peu importe, car ce matin-là le temps n’a plus d’importance. Sa mémoire troublée reconstitue les épisodes de sa vie et remonte à rebours son destin jusque vers l’enfance.

  • le lieutenant de guerre

    le lieutenant de guerre

    Ce texte est une vrille. Une vrille est une chute incontrôlée, parfois c’est un choix. La vrille est un outil de perçage – faire un trou à l’intérieur – vriller son regard dans l’autre. Le lieutenant est habillé avec un costume de soirée dépareillé et défraichi. La veste tranche avec le reste. Il n’y a pas de confusion possible, même si le costume a l’aspect d’une fin de soirée, d’une sortie qui tourne mal, d’une beuverie confortable. C’est une défroque de la cloche. L’image demande une sensation de transparence, comme derrière une bâche plastique, qu’elle soit imaginaire ou réel outil de scénographie. On entend les bruits de la ville, les graves dominent, le roulement des camions dans la circulation, au loin, l’orage ou la guerre. Le lieutenant parle à une femme que l’on ne voit pas – une femme derrière une porte entrouverte.

  • l’île mystérieuse

    l’île mystérieuse

    Il y a la guerre, quatre amis sont prisonniers. Par chance, ils peuvent s’emparer d’un ballon et s’échapper, mais un terrible ouragan les emporte. Voilà ces quatre amis ballotés dans les nuages, dans la tempête et dans la nuit. En dessous d’eux, l’océan s’étale à perte de vue… Ainsi commence l’aventure.

  • l’étoile du Nord

    l’étoile du Nord

    Lili aimerait faire durer le temps… Elle porte un déshabillé en tissu synthétique. Elle reste les jambes nues parce qu’il ne fait pas si froid. Dans la rue, les voitures passent et un chien aboie de temps en temps. Son client n’a pas encore remis ses vêtements et attend. Le petit carré d’un miroir lui renvoie l’image de son âge ; le reflet des outrages. Entre deux sourires, elle se vide avec sa voix de clarinette, raconte sa vie de…

  • the North Star

    the North Star

    Lili would like to make time last… She is wearing a synthetic negligee. She keeps her legs bare because it is not so cold. In the street, cars pass by and a dog barks from time to time. Her client has not yet put his clothes back on and is waiting. The small square of a mirror reflects back to her the image of her age; the reflection of her outrages. Between two smiles, she empties herself with her clarinet voice, tells her life story of…

    the character and her costume
    Lili (the north star) is a prostitute of a certain age. She wears a wig and a colourful synthetic shirt.

    what we see
    She is chatting with a client off camera. She is tying a used condom.

    Lili : You didn’t know where to put it, it’s not serious. Here, they’re used to it. You leave it on the dresser, they’re used to it, that’s all. It doesn’t matter.

    I would like you to stay. There’s not much traffic. It won’t bother you. These are the nights that never end. I gave you pleasure, give me time.

    I’m foaming at the mouth. I like to make little pictures. I feel like it tells a better story. They’re called metaphors. I have a bit of a vocabulary.

    Whores aren’t always turkeys.

    The foam rises on the heart. It rises if you are not careful. A wave on the pebbles. It would be nice to give it time to sink in and disappear. The foam is a filthy thing that doesn’t look like anything. You walk, you run along the waves, you have wind in your hair.

    Above all, you think you’re young.

    You walk as long as it seems possible. You look at the bottom of your trousers, there are stains. You won’t be able to erase them.

    So you have to talk.

    It’s the silence that kills. Not the past, not the stuff that sticks to the heart. The lost smile.

    The water.

    The clear water that flows under the bridge. The dramas and all the rest. The foam goes to your head, it makes your hair grey. It’s a wave of the soul.

    Do you understand?

    You understand, I’m lost.

    Oh, it’s not going to drip with sadness, I leave that to the accordions. You can put your mind at ease, put your ass on the carpet and have a smoke. Here they vacuum, the place is well kept. It won’t get your ass dirty.

    Of course, you don’t have to sit on the dresser.

    I just want you to listen.

    Are you hesitating?

    I know it’s a non-smoking establishment, but who’s gonna police it?

    I don’t want to be pathetic. Passes are hard to come by, you’re a good guy. I’m not the only one. Young guys with glitter all over their pussies.

    I’m old school.

    I try to smell good and look clean.

    I don’t like unnecessary decorations.

    It’s a night like any other night.

    Endless.

    I’m not competing anymore. 

    I was surprised you got me to come up. Sometimes I still do business on Sundays. The rest of us take a day off or go to the country.

    I was surprised.

    I had a doubt.

    I thought you were a pervert, that I was taking a risk. That I might end up as a news item. The little section that’s taking up more and more space.

    Is there nothing else going on in the world?

    You were very sweet, classic, classy. I almost felt like not pretending.

    Are you mad at me for saying it like that?

    Pretending is protective, don’t blame me. It’s a funny job. We’re like comedians.

    You have experience.

    You don’t say anything.

    Am I wrong?

    It’s an act, like in the theatre. You have to satisfy the public.

    We demand the fee beforehand, there’s no applause afterwards. We curtsy at the beginning of the show. We pack the client’s gear for the opening of the curtains.

    We have learned to protect ourselves, there have been deaths. We lost smiles forever. It was a bad time. The eighties.

    You pay for the big game, so you do it. We spread our thighs and light up the origin. We present the chocolates. We know you have a sweet tooth.

    It’s not uncommon for it to be quick. You drop it like it’s overflowing.

    An overflow.

    Immediately it doesn’t belong to you. It’s as if it were already ours. That you don’t want to hear about it anymore.  A piece of mother-of-pearl abandoned on the corner of a chest of drawers. Something for the cleaning lady.

    The overflow.

    Don’t you have a wife in your life?

    Not enough, perhaps?

    Demanding, perhaps?

    Who doesn’t love or who doesn’t love anymore?

    Don’t you have a woman to keep you warm?

    To keep warm…

    We are solitudes that meet.

    We sleep. Two in the same bed, but we remain alone. It can’t be explained. We caress each other, naked with our sexes at our fingertips. We touch each other, we moan for real, for fake. We make a comedy of smells, of exchanges, of sweat. But we remain alone.

    You clucked like a turkey.

    You looked lost.

    As long as you’re listening in the room, I can believe that another day is possible. That it would be something other than a paying gig. Two solitudes together.

    If you put your trousers back on. You’ll have to put them back on. You’ll leave, a quick glance at the dresser. So you don’t forget the car keys or anything else.

    I know all the zips by their sound. A quick movement, always the same. That way of checking that everything is in its place. That need to feel that you’re leaving with your balls.

    You’ll walk out the door with the memory of a cheap name. The one I feed to my clients.

    The real one, mine, the one that was on the christening form. The one that used to nestle in my mother’s mouth. I keep it like a secret.

    In your lonely moments, I would not like you to cum on the image of my bone structure and my real name.

    I feel dirty, when I imagine someone doing it with me in mind. In the toilet, in the shower or in the paper square of a handkerchief. I feel dirty for not collecting the nacre inside, where it belongs. I understand that it’s a relief, but it gets lost in the bitterness of the ocean.

    Will you remember my fancy name?

    I mean when you’re in the real world. I mean when you’re in the mundane world.

    Does it matter?

    Do we need to know whose name we’re fucking?

    It’s just a body.

    I don’t know my clients’ names. I don’t want to know. A person without a name is still an animal. You can have tenderness, but it doesn’t commit you to anything. It remains distant.

    You’re smart. You listen to me without flinching.

    I should thank you, but it makes me sad. (You listen to me like that. It’s not right.

    You should have got up and walked out, taken your cock back. Forget about the yapping old whore.

    It makes you sad because you listen to me out of pity.

    Are you listening to me out of pity?

    You don’t move. You are silence. It’s a marble slab on your shoulders.

    Silence.

    Silence is marble in cemeteries.

    They listen to me out of pity. They think it’s out of pity.

    Curiosity.

    In the spring years, they listened to me because I was funny. I wasn’t smart, but I was witty. I was fun to be around. I knew curious songs and stories. I smoked for hours, chatted with a clarinet voice.

    I was a one-man jazz concert.

    It was cool and relaxing, a little sexy, always nostalgic. And then I was easy. I liked it.

    I let myself get caught up in it. I liked to be picked. The vanity of a pretty flower.

    Can you imagine me young?

    I don’t.

    I remember, I remember another one.

    A pretty one with soft skin, a little pearly. A body that bent under the storm, under the anger of men. A reed with the down of July. It was as if everything was healthy, alive and young. Even the pleasure was young. I don’t know what it is anymore.

    Young pleasure.

    It is a regret, something I will not find again. Not in the hollow of a bed. Nor in the softness of a cock. The intimate caress of a thoughtful man.

    All the mechanics are worn out, I have rough sensations. To grow old is to be rough and not remember the time when it was soft.

    I don’t want to look miserable. I’d like you to find some shards. Chunks in the sherbet. Lemon on my skin and in my eyes. A little sour and happy. That little clarinet music.

    If you want one more time?

    You paid for the night.

    Talking about the youthful years, it reminds us that caresses are rare. It rekindles the sparks.

    I like it when I lie on my stomach. All the weight of a man on me. I love it when the forms marry. The heat of his cock on my buttocks. His kisses on my neck, the breath in my ears. His violent hands. Vices that stretch my arms, break my shoulders. This strength of man, vain and indispensable.

    You could sit next to me. I’d hold the gear for you.

    We would be like an old couple.

    Nothing would happen but one skin gently rubbing against the other. Without shame. Without embarrassment.

    Who would see?

    God is an empty bottle. Broken.

    You don’t want to come.

    Is it scary?

    They smashed God to get their own piece. They scattered the shards on the crest of the walls. They put the shards of God between our bodies. Our needs, our pleasures, our loves.

    I don’t like this way of believing. 

    Fucking is beautiful. Even if it costs. Even if it scratches. Even if it’s a business. A working relationship. A contractual situation.

    It’s not dirty.

    Dirt comes with words. Words that are used to hurt. Words as judgments. Words that say what is right, what is wrong. Words as a weave of contempt.

    I am not ashamed to let my hand wander. We must wake the little birds in the cage. Let them sing.

    You have to be maternal.

    You have to be a bitch.

    ou are fragile.

    You didn’t come right away. You weren’t showing off. It doesn’t work every time. You didn’t notice, but you checked. You slipped your hand in, you checked that it was hard. Only then were you really there.

    I’m not making fun of you.

    I say that because it’s touching. It’s also to acknowledge that my body is flaccid. That the attraction has been diluted. I don’t have the same desires anymore.

    I could do half-price, it wouldn’t fill the waiting room.

    I liked that you offered to come up. I thought it was good because it made me feel less disgusted with myself. I’ve regained some of my value.

    You too are more beautiful. You have a belly that falls out in spite of you. (But) You were gentle. You were quick and didn’t insist. You took pleasure when it was there. You didn’t force it. You came, sincerely. You came without cheating, without exaggerating.

    Your cock is crumpled, velvet with too many folds. Velvet anyway.

    I think I see beauty where others look away.

    The street has become too hard. Like the rest of the world.

    We used to be a family.

    We used to be.

    (It’s true) There were bad kids, rotten kids. They played with knives under the girls’ noses. They looked like pimps. Manners too. They hit to show who was boss. They hit the girls, sometimes for no reason.

    In the end, they took care of us. They had gestures, other gestures.

    They were bastards with honour.

    We all have bosses.

    Tender gestures.

    It wasn’t an ideal world. (But) there was life.

    You’ve got a boss too, haven’t you?

    You’re still silent.

    Pimps are real bastards. But honour. A code, as it were.

    Now they’re off my back. I’m not worth much anymore. It’s not that they don’t care. They let me get supplements. They let me do the dirty work without taking their pledges. They know they have to leave a little air. A little oxygen.

    What’s left of my ass is a little retirement capital.

    I invest it whenever I can. It doesn’t weigh much, it’s a distraction.

    I can afford knick-knacks, movies and soft skin cream. I’m not going to end up a countess in a champagne bath. I can only afford a little sparkling wine now and then. I dream about travelling on magazines.

    I wanted to go to Japan.

    I heard that the girls there are geishas. Ladies. They make music for you and whisper poems.

    Your senses are all over the place. You don’t know where the pleasure comes from. Then you die, every time you die.

    I told myself I would have known. I would have learned to be a geisha. I would have been the white geisha. I would have known how to powder my nose, how to make my eyelashes jet.

    I’ve never seen jet lashes. For real.

    Have you ever seen it?

    It’s so black it’s like the void between the stars. It’s a stone for making ornaments. A jet necklace. A jet tiara.

    Imagine a Japanese woman.

    These walls that become doors. These walls that are transparencies. This music that is a mystery. This partition that opens, this woman who appears. Squatting, lost in a dress like no other.

    I thought things that don’t exist didn’t exist.

    Do you understand me?

    (There are) things, they tell you. It’s so beautiful that you’re sure, it’s sleeping at the bottom of an ocean. Nobody can see it.

    Almost.

    You tell yourself that only the lantern fish see it. The big, disfigured fish that carry a lamp in front of them. The big fish that sleep a thousand thousand meters below the surface.

    To see beauty, you have to go deep.

    Get lost in shreds of darkness. There is no beauty without darkness. We didn’t know they existed either.

    The lantern fish

    The wind had had time to draw the sand on the beaches. And to start again, and to start again.

    One day, we went down in a submarine. A bathyscaphe.

    I told you, I have a vocabulary. 

    Then we knew they existed. Lanternfish. In a Paris Match. A black and white photo.

    On the other page, it was a little monkey in colour. A brass band costume, gold buttons. A red suit.

    I don’t remember the year.

    I remember the other page because of the monkey.

    I still had straw in my hooves. I read everything I could get my hands on. Paris Match, magazines.

    Books.

    It made me laugh.

    Laughter is sometimes admiration or jealousy. It’s rarely contempt.

    I was innocent. I was curious. It’s a bit the same thing.

    I was doing a kimono act with a fan. Like an artist.

    On the fan was drawn a big wave. Before it fell again. White, blue, brown. A crest like thousands of hands to catch you. To submerge you, to caress you.

    I was hiding behind it. I pretended to be exotic. I could ask for more.

    I had put a picture of Mount Fuji. With a pin, towards the square of the mirror. I liked to pretend to be Japanese.

    I received a postcard.

    A customer remembered.

    He had sent it to the café on the street with my junk name on it. They knew how to find me, I was popular. I have it in my wallet.

    You want to see it?

    Maybe it’s better not to see it. The colours have faded. It looks sad. (But) It’s not.

    I didn’t have the life of Fantine Cosette’s mother. Les Misérables. I’ve read Victor Hugo. I told you, I have a vocabulary.

    Those who think well.

    I mean those who received their minds in a school believe that our life is misery.

    It’s not true.

    First of all, because I liked to make love.

    Fucking a whore, you think she’s always pushing herself. That she has no feelings. That she is a rag that you pull and tear. Fucking is a job.

    Don’t you ever have fun at work?

    You argue with your colleagues. You make fun of the boss.

    On the quiet.

    Bosses, pimps. Big deal.

    You take advantage of holiday days. A factory, an office, a hospital, it’s not much different from being a hooker.

    We all have our bids. We’re girlfriends, there are customers.

    It’s the market, a small summer day, the sound of the fountain. The yellow light of June. We do your business, then we wash up. It smells like lavender eau de toilette.

    Maybe we’re just kidding ourselves to believe that this isn’t a shitty life?

    You don’t tell yourself stories?

    To pass the pill.

    It would be so unfair if we didn’t love each other. If we didn’t love ourselves a little. If we didn’t give ourselves the satisfaction of a job well done. There would be too much grey in the blue.

    Are you listening to me?

    You’re patient.

    I like patient men.

    I could never go to Japan. It’s far away and I don’t speak the language. Japan is beautiful, but it’s far from everything.

    That’s OK.

    I can play the clarinet. I’ve had other things.

    With a girlfriend, we went on holiday. It was nice to sleep with a girlfriend. It made you smile.

    I saw that.

    It changed me. It’s other caresses. That’s what you think. We followed the road north in a small car. A « veeva ».

    We drove along the roads of Europe to the place where the tarmac becomes a track and the night never comes on. There is no night in the north.

    Do you know that?

    It’s an opaque haze, you don’t know where to sleep. It’s a molasses. Those who work the streets up there never see the night. No darkness to close the eyes.

    Maybe it’s less dangerous?

    In winter it’s different. The day remains dormant. The polar winds spread green filaments across the sky. So many old spider webs. It’s too cold to survey.

    You don’t do well treading in the ice.

    Have you travelled?

    The silence sticks to your teeth.

    You don’t want to get wet?

    You’re right. Listen, don’t give yourself away. To get along with the life of the world. Like behind glass. There’s no risk.

    It’s like on TV.

    I say everything.

    I talk because it overflows. I don’t blame anyone. I liked making love, I’ve already told you that. I liked being what I was. I was not ashamed to open my thighs. I didn’t have to force myself. I was not ashamed to suck cock. I found it beautiful.

    Some people don’t like it. It’s not in their values. Values.

    God, morals, civilisation. That’s stuff to imprison yourself in. Walls to scratch the other. Walls to lower. You think you’re a guard on the watchtower.

    Just because you lock your cock in a locker and throw away the key doesn’t make you any better.

    You refuse the pleasures. (Then) you become bitter and you smear the blue with grey. It’s mediocre.

    At first I thought it was overflowing because it was sad. It overflows because I’m angry. Angry at this life that didn’t let me do it. Angry because I’m seen as a slut.

    I am a slut.

    So what?

    I gave love. I gave sex, pleasure. I gave out fantasy, pride, orgasm. I lifted the tails of flaccid men. Made pimply men proud. I have watered snails that have been deprived of rain for a thousand years.

    The word love, it is flayed in the mouth of the well-turned spirits when one speaks about ass. The ass, it hurts their penis. They catch a hot piss in the soul. They dream of putting us back on the right track with mercy. They promise hell. They would burn us for having fucked too much.

    Their hearts are so dry that with one look they dry up the beauty of life. They raise dust, let the ashes of fires fall.

    Honest men and women judge.

    You have to believe you are honest to claim to judge. When you are a judge, you condemn. It is irremediable.

    They’d better fuck more often.

    Orgasm is a door to grace. It’s a surrender. Whether you’re male or female, you understand that it’s fragile. It’s hanging by a thread.

    When it happens. You see in your eye an aurora borealis that fades, disappears. A miracle that escapes.

    A whole body abandons itself. Who for a second is as innocent as a child.

    (And) Suddenly, the body becomes the body again with its sweat and its heat. With regret. With gratitude. All mixed up.

    To make love is to learn not to judge. Every whore in the world knows this.

    To make love, even if it’s a transaction, is to accept what is most intimate about the other.

    I have slept with dirty men, deformed men, unhappy men. Men who had strange needs, men to whom violence was necessary. Men who submitted, who stooped, who crawled, who drank my piss as if from a spring of eternal youth. They were looking for a shudder. They were in torment for feeling alive. 

    I never despised them.

    They were lost.

    Simply beautiful. A different kind of beauty.

    You, you are classic. You didn’t go for the bizarre. You just needed a little sparkle.

    I’m nostalgic. I’ve grown old. That goes hand in hand.

    I looked in the mirror. (And) For the first time I saw myself. I really saw myself.

    Before, I saw myself as a woman. A woman who touched the icy glass of the mirror. Not very clean and wearing make-up. She caressed her reflection. A face, heavy breasts and skin like silk spread over the back of an armrest. I saw what I imagined I was.

    To grow old is to be hit in the gums with lucidity.

    To grow old is to abandon the image for the reality.

    I saw myself. What it is like to lose the sand in your eyes.

    I am in a new age. I am not downcast. I am not sad, either.

    (But) It’s not a Fourteenth of July ball.

    I told you, I feel rough.

    You accosted me. You asked: how much?

    You said to come up. That you would pay the price without question. That you would pay for a night, even if you only stayed an hour, a minute, a second.

    The good you’ve done me. Saying that. For wanting to fuck me.

    That made my skin less rough.

    You’re not young, you’re not old. You’re at the age where you know how to do it right.

    (But) you’re still flexible.

    I should pay you back. (But) It’s you who would look like a gigolo. I’m not sure you like it. 

    That idea.

    You’re like all men, you have your pride.

    Was it the first time?

    With a whore, I mean.

    You’ve got thoughtful gestures. You held the door and I walked past. Those are gestures you get when you live with someone you love.

    Is it a woman?

    A girlfriend?

    An intermittent regular?

    I hope she holds you tenderly. I hope you have this chance to be two.

    It’s cool water in summer. You pass your hand, the fingers turn blue. And you pass your hand again because it feels good.

    I had my part of the holiday, I told you.

    A torrent, the spinning water and glittering reflections. A face, clear water. She drove very badly. The ‘vee’ was often in the middle of the road. We were honked at. It made you laugh. We brushed against those on the other side.

    We shouted: « Together, whatever happens!

    We are ridiculous sometimes. There were swerves. She always ended up catching the car.

    In extremis.

    We found a line on which we had the impression of flying like a long-distance plane. Without any pitfalls. Like two white wings ploughing through the sky. An ephemeral foam.

    I was lucky.

    I had the taste of different caresses. The happiness of a head resting on my shoulder. The happiness of a smell that became intoxicating. The happiness of a long hair a little dirty because of the endless summer days. The happiness of an almost maternal breast. The smile of a friend.

    Her face, her clear water.

    The sound of the engine, the dusty track, the smile, the water.

    The time when you ride. It is eternal.

    The look goes from one thing to another and back again.

    The sound of the engine, the dusty track, the face.

    The rain fell, a curtain. It announced the end.

    The end of time. Closure of the parenthesis. We went back to work.

    It was in the eighties. I mustn’t talk about that. You would be afraid. You’d think there was still something going on. I got through it. There’s no point in being afraid.

    That’s what’ll get me killed.

    I like the smell of tobacco. Even with yellow fingers. It’s not very distinguished.

    You see how time flies. You’re still here waiting.

    If you want once more.

    All skins have different smells. The young ones smell of crushed grass. Hot grass, stones left in the sun. They are clumsy, make believe they know everything. They have the gestures of emperors. A conquering nakedness that he walks between the bathroom tiles and the foot of the bed. An uncontrolled eagerness.

    They are naive and kind.

    They look like penguins on an ice floe.

    All skins have different smells. With age, they become bitter. Sweat turns into saltpetre. Old men are scrolls. All the things they have experienced want to show themselves one last time before they disappear.

    They are a page to write on. There is no more room, everything is already written. They want more.

    In bed, they break like reeds that are too dry, they are sorry for their aridity. They mockingly regret the dried-up river.

    They have educations that make them stand straight and dignified. In tightly cut clothes.

    They leave.

    I will soon be in the time of the scrolls. The skin is already yellow in places.

    I want people to know that a whore is not a nobody. It should also be written.

    The flesh did not only come. The skin was not only scratched. I didn’t just moan. I cannot disappear. I have not just been thighs offered. I was so much more than that.

    More than that.

    I started working in the street with the street lights and the metal bridge where the train passes. Where the cars turn around and roll over the dust on the side of the road.

    The passes were made on the back benches.

    A car park in a clearing with a patch of sky between the trees.

    The men had manners, they came with clean trousers and well polished pipes.

    They had respect.

    I was beautiful.

    They called me: The North Star.

  • Der Stern des Nordens

    Der Stern des Nordens

    Lili möchte die Zeit verlängern … Sie trägt ein Negligé aus synthetischem Stoff. Sie bleibt mit nackten Beinen stehen, weil es nicht so kalt ist. Auf der Straße fahren Autos vorbei und ab und zu bellt ein Hund. Ihr Kunde hat seine Kleidung noch nicht wieder angezogen und wartet. Das kleine Quadrat eines Spiegels spiegelt ihr das Bild ihres Alters wider; die Spiegelung der Schandtaten. Zwischen zwei Lächeln entleert sie sich mit ihrer Klarinettenstimme, erzählt ihr Leben von…

    die Figur und ihr Kostüm
    Lili (Der Stern des Nordens) ist eine ältere Prostituierte. Sie trägt eine Perücke und ein buntes Synthetikhemd.

    was wir entdecken
    Sie plappert mit einem Freier aus dem Off. Sie knüpft ein gebrauchtes Kondom.

    Lili : Du wusstest nicht, wo du es hinlegen sollst, das ist nicht schlimm. Hier sind sie daran gewöhnt. Wir lassen es auf der Kommode liegen, sie sind es gewohnt, das ist alles. Das ist nicht schlimm.
    Es wäre schön, wenn du bleiben könntest. Es gibt nicht mehr viel Durchgangsverkehr. Es wird nicht stören. Das sind Nächte, die nicht enden. Ich habe dir Freude bereitet, gib mir Zeit.
    Ich habe Schaum vor dem Mund. Ich mag es, kleine Bilder zu machen. Ich habe das Gefühl, dass sie besser erzählen. Das nennt man Metaphern. Ich habe einen kleinen Wortschatz.
    Huren sind nicht immer Truthähne.
    Der Schaum steigt auf dem Herzen. Sie steigt, wenn du nicht aufpasst. Eine Welle auf den Kieselsteinen. Es wäre gut, ihr Zeit zu geben, sich zu versenken und zu verschwinden. Der Schaum ist ein Dreck, der nach nichts aussieht. Du läufst, du rennst auf der Höhe der Wellen, du hast Wind in den Haaren.
    Vor allem hältst du dich für jung.
    Du läufst so lange, wie es dir möglich erscheint. Du schaust dir die Hosenunterseite an, da sind Flecken. Du kannst sie nicht mehr wegwischen.
    Dann musst du reden.
    Es ist das Schweigen, das tötet. Nicht die Vergangenheit, nicht das Zeug, das am Herzen klebt. Das verlorene Lächeln.
    Das Wasser.
    Das klare Wasser, das unter den Brücken fließt. Die Dramen und das ganze Drumherum. Der Schaum steigt einem zu Kopf, macht graue Haare. Das ist Seelenschaum.
    Verstehst du das?
    Verstehst du, ich bin verloren.
    Oh, es wird nicht vor Traurigkeit triefen, das überlasse ich den Akkordeons. Du kannst dich beruhigen, deinen Hintern auf den Teppich setzen und an einer Zigarette ziehen. Hier wird gesaugt, das Lokal ist gepflegt. Das macht dir den Hintern nicht schmutzig.
    Natürlich darf man sich nicht auf die Kommode setzen.
    Ich will nur, dass du zuhörst.
    Du zögerst?
    Ich weiß, es ist ein Nichtraucherlokal, aber wer soll das kontrollieren?
    Ich will nicht erbärmlich sein. Die Pässe sind selten, du bist ein guter Kerl. Es gibt bessere Typen als mich. Junge Leute mit Glitzer bis auf die Muschi.
    Ich bin altmodisch.
    Ich versuche, gut zu riechen und sauber zu sein.
    Ich mag keine unnötigen Dekorationen.
    Es ist ein Abend wie jeder andere.
    Endlos lang.
    Ich mache keine Konkurrenz mehr.
    Ich war überrascht, dass du mich nach oben gebracht hast. Manchmal mache ich auch am Sonntag noch Geschäfte. Die anderen gönnen sich einen Urlaub oder eine Landpartie.
    Ich war überrascht.
    Ich hatte Zweifel.
    Ich dachte, dass du ein Perverser bist, dass ich ein Risiko eingehe. Dass ich als Tatsachenbericht enden könnte. Die kleine Rubrik, die immer mehr Raum einnimmt.
    Passiert denn sonst nichts mehr in der Welt?
    Du warst sehr sanft, klassisch, Klasse. Ich hatte fast das Bedürfnis, mich nicht zu verstellen.
    Bist du mir böse, dass ich das so sage?
    So tun, als ob, das schützt, sei mir nicht böse. Es ist ein komischer Beruf. Wir sind ein bisschen wie Schauspielerinnen.
    Du, du hast Erfahrung.
    Du sagst nichts.
    Habe ich mich geirrt?
    Es ist ein Spiel, wie im Theater. Man muss das Publikum zufriedenstellen.
    Wir verlangen die Gage vorher, danach gibt es keinen Applaus. Wir verbeugen uns zu Beginn der Show. Wir packen die Utensilien des Kunden ein, um den Vorhang zu öffnen.
    Wir haben gelernt, uns zu schützen, es hat Tote gegeben. Wir haben Lächeln für immer verloren. Es war eine schlimme Zeit. Die achtziger Jahre.
    Du bezahlst für das große Spiel, also tun wir es. Wir spreizen die Schenkel und beleuchten den Ursprung. Wir präsentieren die Pralinen. Wir wissen, dass Sie Naschkatzen sind.
    Es ist nicht ungewöhnlich, dass es schnell geht. Sie lassen es fallen, als würde es überlaufen.
    Ein Überlaufen.
    Sofort gehört es Ihnen nicht mehr. Es ist, als ob es schon uns gehört. Dass Sie nichts mehr davon hören wollen. Ein Stück Perlmutt, das auf der Ecke einer Kommode zurückgelassen wurde. Etwas für die Putzfrau.
    Der Überfluss.
    Haben Sie keine Frau in Ihrem Leben?
    Nicht genug, vielleicht?
    Anspruchsvoll, vielleicht?
    Die nicht liebt oder nicht mehr liebt?
    Hast du keine Frau, die dich warm hält?
    Sich warm halten …
    Wir sind Einsamkeiten, die sich begegnen.
    Wir schlafen miteinander. Zwei am selben Pfahl, aber wir bleiben allein. Das kann man nicht erklären. Wir streicheln uns, nackt mit unseren Geschlechtern an den Fingerspitzen. Wir berühren uns, wir stöhnen, echt, unecht. Wir schauspielern mit Gerüchen, Austausch und Schweiß. Aber wir bleiben allein.
    Du hast wie ein Truthahn gegackert.
    Du sahst verirrt aus.
    Solange du im Schlafzimmer lauschst, kann ich glauben, dass ein anderer Tag möglich ist. Dass es etwas anderes wäre als ein bezahlter Schuss. Zwei Einsamkeiten zusammen.
    Wenn du deine Hose wieder anziehst. Du wirst sie wieder anziehen müssen. Du gehst, ein schneller Blick auf die Kommode. Damit du nicht die Autoschlüssel oder andere Dinge vergisst.
    Ich erkenne alle Reißverschlüsse allein am Geräusch. Eine schnelle Bewegung, immer die gleiche. Diese Art zu überprüfen, ob alles an seinem Platz ist. Dieses Bedürfnis zu spüren, dass du mit deinen Eiern nach Hause gehst.
    Du wirst durch die Tür gehen, mit der Erinnerung an einen falschen Namen. Den, den ich meinen Kunden zum Fraß vorwerfe.
    Den echten, meinen, den, der auf dem Taufformular stand. Der, der sich im Mund meiner Mutter einnistete. Ich hüte ihn wie ein Geheimnis.
    In deinen einsamen Momenten möchte ich nicht, dass du auf dem Bild meines Knochengerüstes und meines wahren Namens kommst.
    Ich fühle mich beschmutzt, wenn ich mir vorstelle, dass jemand es tut und dabei an mich denkt. Auf dem Klo, unter der Dusche oder im Papierquadrat eines Taschentuchs. Ich fühle mich schmutzig, wenn ich das Perlmutt nicht im Inneren sammle, wo es sich einnisten soll. Ich verstehe, dass es Erleichterung bringt, aber es verliert sich in der Bitterkeit des Ozeans.
    Wirst du dich an meinen Künstlernamen erinnern?
    Ich meine, wenn du im Alltag bist. Ich meine, wenn du in der banalen Welt bist.
    Ist das wichtig?
    Müssen wir den Namen desjenigen kennen, den wir ficken?
    Es ist nur ein Körper.
    Ich kenne die Namen meiner Kunden nicht. Ich will es nicht wissen. Eine Person ohne Namen bleibt ein Tier. Du kannst Zärtlichkeit haben, aber das ist unverbindlich. Es bleibt distanziert.
    Du bist schick. Du hörst mir zu, ohne mit der Wimper zu zucken.
    Ich sollte dir danken, aber das macht mich traurig. (Dass) Du hörst mir so zu. Das ist nicht normal.
    Du hättest aufstehen und rausgehen sollen, deinen Schwanz zurückholen. Die quasselnde alte Hure vergessen.
    Es macht einen traurig, weil du mir aus Mitleid zuhörst.
    Hörst du mir aus Mitleid zu?
    Du bewegst dich nicht. Du bist die Stille. Es ist eine Marmorplatte auf deinen Schultern.
    Die Stille.
    Stille ist Marmor auf Friedhöfen.
    Man hört mir aus Mitleid zu. Man denkt, es ist aus Mitleid.
    Aus Neugierde.
    In den Frühlingsjahren hörte man mir zu, weil ich lustig war. Ich hatte keine Intelligenz, aber ich hatte Witz. Es gab Spaß mit meiner Gesellschaft. Ich kannte Lieder und kuriose Geschichten. Ich rauchte stundenlang und plauderte mit einer Klarinettenstimme.
    Ich war ein Jazzkonzert für mich allein.
    Es war cool und entspannend, ein bisschen sexy und immer nostalgisch. Außerdem war ich einfach. Ich mochte es.
    Ich ließ mich einfangen. Ich ließ mich gerne pflücken. Die Eitelkeit einer hübschen Blume.
    Kannst du dir vorstellen, dass ich jung bin?
    Ich nicht mehr.
    Ich erinnere mich, ich erinnere mich an eine andere.
    Eine Hübsche mit weicher, etwas perlmuttfarbener Haut. Ein Körper, der sich unter dem Sturm, unter dem Zorn der Männer beugte. Ein Schilfrohr mit dem Flaum des Juli. Es war, als wäre alles gesund, lebendig und jung. Sogar die Lust war jung. Ich weiß nicht mehr, was das ist.
    Die Lust ist jung.
    Es ist ein Bedauern, etwas, das ich nicht mehr finden werde. Weder in der Kuhle eines Bettes. Auch nicht in der Sanftheit eines Schwanzes. Die intime Liebkosung eines rücksichtsvollen Mannes.
    Die ganze Mechanik ist abgenutzt, ich habe ein raues Gefühl. Alt zu werden bedeutet, rau zu sein und sich nicht mehr an die Zeit zu erinnern, in der es weich war.
    Ich möchte nicht elend aussehen. Ich möchte, dass du Splitter findest. Splitter im Sorbet. Zitrone auf meiner Haut und in meinem Blick. Ein bisschen sauer und fröhlich. Diese kleine Musik auf der Klarinette.
    Wenn du noch einmal willst?
    Du hast für die Nacht bezahlt.
    Über die Jugendjahre zu sprechen, erinnert daran, dass es selten ist, gestreichelt zu werden. Es entfacht die Funken wieder.
    Ich liebe es, wenn ich auf dem Bauch liege. Das ganze Gewicht eines Mannes auf mir. Ich liebe es, wenn sich die Formen aneinander schmiegen. Die Wärme seines Schwanzes auf meinem Hintern. Seine Küsse auf den Hals, den Atem in den Ohren. Seine heftigen Hände. Schraubstöcke, die meine Arme strecken, meine Schultern brechen. Diese Stärke des Mannes, eitel und unverzichtbar.
    Du könntest dich neben mich setzen. Ich würde dir das Handwerkszeug halten.
    Wir wären wie ein altes Ehepaar.
    Es würde nichts passieren außer einer Haut, die sich sanft an der anderen reibt. Ohne sich zu schämen. Ohne sich zu schämen.
    Wer würde es sehen?
    Gott ist eine leere Flasche. Zerbrochen.
    Du willst nicht kommen.
    Ist es gruselig?
    Sie haben Gott zerschlagen, um jeder sein eigenes Stück zu bekommen. Sie haben die Scherben über die Kämme der Wände gestreut. Sie haben die Scherben Gottes zwischen unsere Körper gelegt. Unsere Bedürfnisse, unsere Freuden, unsere Liebe.
    Ich mag diese Art zu glauben nicht.
    Ficken ist schön. Auch wenn es kostet. Auch wenn es häutet. Auch wenn es ein Geschäft ist. Ein Arbeitsverhältnis. Eine vertragliche Situation.
    Es ist nicht schmutzig.
    Der Schmutz, er kommt mit den Worten. Worte, die man benutzt, um zu verletzen. Worte als Urteile. Worte, die sagen, was richtig ist, was falsch ist. Worte als ein Geflecht aus Verachtung.
    Ich schäme mich nicht, meine Hand vom Weg abkommen zu lassen. Man muss die kleinen Vögel im Käfig wecken. Sie singen lassen.
    Man muss mütterlich sein.
    Man muss zickig sein.
    Ihr seid zerbrechlich.
    Du bist nicht sofort gekommen. Du warst nicht stolz. Das funktioniert nicht immer. Du hast es nicht bemerkt, aber du hast es kontrolliert. Du hast deine Hand hineingeschoben und geprüft, ob es hart ist. Erst danach warst du wirklich da.
    Ich will mich nicht lustig machen.
    Ich sage das, weil es bewegend ist. Es geht auch darum, anzuerkennen, dass mein Körper schlaff ist. Dass die Anziehungskraft verwässert ist. Ich hebe nicht mehr die gleichen Gelüste.
    Ich könnte den halben Preis nehmen, das würde den Wartesaal nicht füllen.
    Ich fand es gut, dass du vorgeschlagen hast, nach oben zu gehen. Ich fand es gut, weil ich dadurch weniger Ekel vor mir selbst hatte. Ich habe wieder etwas an Wert gewonnen.
    Du bist auch nicht mehr so schön. Du hast einen Bauch, der gegen deinen Willen fällt. (Aber) Du warst sanft. Du warst schnell und hast nicht gedrängt. Du hast dir die Freude genommen, als sie da war. Du hast sie nicht erzwungen. Du bist gekommen, aufrichtig. Du bist gekommen, ohne zu schummeln, ohne zu übertreiben.
    Dein Schwanz ist faltig, wie Samt mit zu vielen Falten. Trotzdem ist es Samt.
    Ich glaube, ich sehe Schönheit, wo andere wegschauen.
    Die Straße ist zu hart geworden. Wie der Rest der Welt.
    Wir waren eine Familie.
    Früher.
    (Das stimmt) Da gab es dreckige, verkommene Kinder. Sie spielten den Mädchen mit dem Messer vor der Nase herum. Sie hatten die Gesichter von Zuhältern. Und die Manieren auch. Sie schlugen, um zu zeigen, wer der Chef ist. Sie schlugen die Mädchen, manchmal ohne Grund.
    Am Ende kümmerten sie sich um uns. Sie hatten Gesten und andere Gesten.
    Sie waren Schweine mit Ehre.
    Wir alle haben Chefs.
    Zärtliche Gesten.
    Es war keine heile Welt. (Aber) Es gab Leben.
    Du hast doch auch einen Chef?
    Du bist immer noch still.
    Zuhälter sind echte Arschlöcher. Aber eine Ehre. Ein Kodex, wie man so schön sagt.
    Jetzt lassen sie mich fallen. Ich bin nicht mehr so wertvoll. Es sind nicht die, die sie verachten. Sie lassen mich Zusatzleistungen kassieren. Sie lassen mich anschaffen, ohne ihr Geld zu nehmen. Sie wissen, dass man ein bisschen Luft lassen muss. Ein bisschen Sauerstoff.
    Was von meinem Arsch übrig bleibt, ist ein kleines Rentenkapital.
    Ich lege es an, wann immer ich kann. Es wiegt nicht viel und lenkt ab.
    Ich kann mir damit Nippes, Kinofilme und Creme für weiche Haut leisten. Ich werde nicht als Gräfin in einer Champagner-Badewanne enden. Ich habe nur genug Geld, um mir ab und zu einen Sekt zu leisten. Ich träume in Zeitschriften von Reisen.
    Ich wollte nach Japan reisen.
    Ich habe gehört, dass die Mädchen dort Geishas sind. Das sind Damen. Sie machen dir Musik und flüstern dir Gedichte zu.
    Dir schwirren die Sinne. Du weißt nicht mehr, woher die Lust kommt. Dann stirbst du, jedes Mal stirbst du.
    Ich sagte mir, dass ich es gewusst hätte. Ich hätte gelernt, eine Geisha zu sein. Ich wäre die weiße Geisha gewesen. Ich hätte gewusst, wie man sich die Nase pudert, wie man sich die Wimpern aus Jais macht.
    Jetty habe ich noch nie gesehen. In echt.
    Hast du es jemals gesehen?
    Es ist so schwarz, dass es wie die Leere zwischen den Sternen ist. Es ist ein Stein, um Schmuck herzustellen. Eine Halskette aus Jais. Ein Diadem aus Jais.
    Stell dir eine japanische Frau vor.
    Diese Wände, die zu Türen werden. Diese Wände, die Transparenzen sind. Diese Musik, die zu Geheimnissen wird. Diese Trennwand, die sich öffnet, diese Frau, die erscheint. Hockend, verloren in einem Kleid, wie es keines gibt.
    Ich dachte, Dinge, die es nicht gibt, existieren nicht.
    Verstehst du mich?
    (Es gibt) Dinge, man erzählt sie dir. Es ist so schön, dass du sicher bist, es schläft auf dem Grund eines Ozeans. Niemand kann das sehen.
    Fast.
    Du sagst dir, dass es nur die Laternenfische sehen. Die großen, entstellten Fische, die eine Lampe vor sich hertragen. Die großen Fische, die tausendtausend Meter unter der Oberfläche schlafen.
    Um die Schönheit zu sehen, muss man tief gehen.
    Sich in Fetzen von Dunkelheit verlieren. Es gibt keine Schönheit ohne Dunkelheit. Auch von ihnen wussten wir nicht, dass es sie gibt.
    Die Laternenfische
    Der Wind hatte Zeit gehabt, den Sand an den Stränden zu zeichnen. Und wieder zu beginnen, und wieder zu beginnen.
    Eines Tages fuhren wir mit einem U-Boot hinunter. Einem Bathyscaphe.
    Ich habe dir gesagt, dass ich ein Vokabular habe.
    Dann wussten wir, dass es sie gibt. Die Laternenfische. In einer Paris Match. Ein Foto in schwarz-weiß.
    Auf der anderen Seite war es ein kleiner Affe in Farbe. Ein Fanfarenanzug mit goldenen Knöpfen. Ein roter Anzug.
    Ich weiß das Jahr nicht mehr.
    An die andere Seite erinnere ich mich wegen des Affen.
    Ich hatte noch Stroh in den Hufen. Ich las alles, was ich in die Finger bekam. Paris Match, Zeitschriften.
    Bücher.
    Das brachte mich zum Lachen.
    Lachen ist manchmal Bewunderung oder Eifersucht. Selten ist es Verachtung.
    Ich war unschuldig. Ich war neugierig. Das ist ein bisschen das Gleiche.
    Ich trat in einem Kimono mit einem Fächer auf. Wie eine Artistin.
    Auf dem Fächer war eine große Welle gezeichnet. Bevor sie wieder abfiel. Weiß, blau, braun. Ein Kamm wie Tausende von Händen, die nach dir greifen. Dich zu überfluten, dich zu streicheln.
    Ich versteckte mich dahinter. Ich gab vor, exotisch zu sein. Ich konnte mehr verlangen.
    Ich hatte ein Foto des Berges Fuji aufgehängt. Mit einer Reißzwecke, in Richtung des Spiegelquadrats. Ich mochte es, so zu tun, als wäre ich Japanerin.
    Ich bekam eine Postkarte.
    Ein Kunde erinnerte sich.
    Er hatte sie an das Café auf der Straße geschickt, mit meinem Künstlernamen drauf. Die konnten mich finden, ich war beliebt. Ich habe sie in meinem Portemonnaie.
    Willst du es sehen?
    Vielleicht ist es besser, sie nicht zu sehen. Die Farben sind verblasst. Das sieht traurig aus. (Aber) Das ist es nicht.
    Ich habe nicht das Leben von Fantine gehabt. Die Mutter von Cosette. Les Misérables (Die Elenden). Ich habe Victor Hugo gelesen. Ich habe dir gesagt, dass ich Vokabeln habe.
    Diejenigen, die gut denken.
    Ich meine die, die den Verstand in einer Schule vermittelt bekommen haben, glauben, dass unser Leben Elend ist.
    Das ist nicht wahr.
    Schon deshalb, weil ich gerne Sex hatte.
    Wer eine Hure fickt, denkt, dass sie sich die ganze Zeit über zwingt. Dass sie keine Gefühle hat. Dass sie ein Lappen ist, an dem man zieht und der zerreißt. Ficken ist Arbeit.
    Hast du jemals Freude an der Arbeit?
    Du diskutierst mit den Kollegen. Du machst dich über den Chef lustig.
    Und zwar heimlich.
    Chefs, Zuhälter. Die schöne Sache.
    Du genießt die Urlaubstage. Eine Fabrik, ein Büro, ein Krankenhaus – das ist nicht viel anders als ein Stricher.
    Wir haben alle unsere Submissionen. Wir sind Freundinnen, es gibt Kunden.
    Es ist Markt, ein kleiner Sommertag, das Rauschen des Brunnens. Das gelbe Licht des Juni. Wir machen Ihr Geschäft, danach waschen wir uns. Es riecht nach Eau de Toilette mit Lavendel.
    Vielleicht erzählen wir uns Geschichten, um zu glauben, dass es kein beschissenes Leben ist?
    Du, erzählst du dir keine Geschichten?
    Um die Pille zu überstehen.
    Es wäre so ungerecht, wenn wir uns nicht lieben würden. Wenn wir uns nicht selbst ein bisschen lieben würden. Wenn wir uns nicht die Befriedigung geben würden, dass wir unsere Arbeit gut gemacht haben. Es gäbe zu viel Grau im Blau.
    Hörst du mir zu?
    Du bist geduldig.
    Ich mag geduldige Männer.
    Ich konnte noch nie nach Japan reisen. Es ist weit weg und ich spreche die Sprache nicht. Japan ist schön, aber es ist weit weg von allem.
    Das ist nicht schlimm.
    Ich kann eine Klarinette spielen. Ich habe auch andere Sachen bekommen.
    Mit einer Freundin haben wir Urlaub gemacht. Es war schön, mit einer Freundin zu schlafen. Das hat dich zum Lächeln gebracht.
    Ich habe es gesehen.
    Bei mir hat es sich verändert. Das sind andere Streicheleinheiten. Es ist gut, was du denkst. Wir sind mit einem kleinen Auto die Nordstraße entlang gefahren. Ein « Véve ».
    Wir haben die Straßen Europas ausgerollt, bis zu dem Punkt, an dem der Teer zur Piste wird und die Nacht nie leuchtet. Im Norden gibt es keine Nacht.
    Weißt du das?
    Es ist ein etwas undurchsichtiger Nebel, man weiß nicht, wo man schlafen soll. Es ist eine Melasse. Die Frauen, die dort auf den Strich gehen, sehen nie die Nacht. Keine Dunkelheit, um die Augen zu schließen.
    Vielleicht ist es weniger gefährlich?
    Im Winter ist es anders. Der Tag bleibt schläfrig. Die Polarwinde breiten grüne Fäden über den Himmel aus. Genauso viele alte Spinnweben. Es ist zu kalt zum Spazierengehen.
    Du machst keine Geschäfte, wenn du in den Eiszapfen steppst.
    Bist du schon gereist?
    Die Stille klebt dir an den Zähnen.
    Willst du nicht nass werden?
    Du hast recht. Zuhören, sich nicht ausliefern. Sich mit dem Leben der Welt arrangieren. Wie hinter einer Glasscheibe. Da gibt es kein Risiko.
    Es ist wie im Fernsehen.
    Ich sage alles.
    Ich rede, weil es überläuft. Ich bin niemandem böse. Ich habe es genossen, Sex zu haben, das habe ich dir schon gesagt. Ich habe es genossen, so zu sein, wie ich war. Ich habe mich nicht geschämt, meine Schenkel zu öffnen. Ich musste mich nicht zwingen. Ich habe mich nicht geschämt, Schwänze zu lutschen. Ich fand es schön.
    Manche Leute mögen das nicht. Es entspricht nicht ihren Werten. Die Werte.
    Gott, Moral, Zivilisation. Das sind alles Dinge, um sich selbst einzusperren. Mauern, um den anderen zu kratzen. Mauern, um zu erniedrigen. Sich für einen Wächter auf dem Wachturm halten.
    Nur weil du deinen Schwanz in ein Schließfach gesperrt und den Schlüssel weggeworfen hast, wirst du nicht zu einem besseren Menschen.
    Du verweigerst die Freuden. (Dann) Du wirst verbittert und verschmierst das Blau mit Grau. Das ist mittelmäßig.
    Am Anfang dachte ich, dass es überläuft, weil es traurig ist. Es kocht über, weil ich wütend bin. Wut auf das Leben, das mich nicht gelassen hat. Wut, weil ich als Flittchen gesehen werde.
    Ich bin ein Flittchen.
    Aber was soll’s?
    Ich habe Liebe gegeben. Ich habe Sex und Lust verschenkt. Ich habe Fantasie verteilt, Stolz, Stolz, Orgasmus. Ich habe die Schwänze von schlaffen Männern hochgezogen. Pickelige Männer stolz gemacht. Ich habe Schnecken bewässert, die seit tausend Jahren keinen Regen mehr hatten.
    Das Wort Liebe wird in den Mündern der Wohlgesinnten abgeschabt, wenn es um den Arsch geht. Arsch, das tut ihnen im Penis weh. Sie holen sich einen heißen Piss an der Seele. Sie träumen davon, uns mit Barmherzigkeit auf den rechten Weg zu bringen. Sie versprechen uns die Hölle. Sie würden uns verbrennen, weil wir zu viel gevögelt haben.
    Sie selbst haben so trockene Herzen, dass sie mit einem einzigen Blick die Schönheit des Lebens austrocknen. Sie wirbeln Staub auf und lassen die Asche von Bränden zurückfallen.
    Ehrliche Männer und Frauen urteilen.
    Man muss sich selbst für ehrlich halten, um zu behaupten, dass man urteilt. Wenn man Richter ist, verurteilt man. Das ist unwiderruflich.
    Sie sollten lieber öfter vögeln.
    Der Orgasmus ist eine Tür zur Gnade. Es ist eine Hingabe. Ob du ein Mann oder eine Frau bist, du verstehst, dass es zerbrechlich ist. Es hängt an nichts.
    Wenn es passiert. Du siehst im Auge ein Nordlicht, das zerfällt, verschwindet. Ein Wunder, das entweicht.
    Es ist ein ganzer Körper, der sich hingibt. Der für eine Sekunde so unschuldig ist wie ein Kind.
    (Und) Plötzlich ist der Körper wieder der Körper mit seinem Schweiß und seiner Wärme. Mit dem Bedauern. Mit der Dankbarkeit. Alles miteinander vermischt.
    Beim Sex lernt man, nicht zu urteilen. Alle Huren auf der Welt wissen das.
    Liebe machen, auch wenn es ein Geschäft ist, bedeutet, das Intimste des anderen zu akzeptieren.
    Ich habe mit schmutzigen Männern geschlafen, mit missgestalteten Männern, mit unglücklichen Männern. Mit Männern, die seltsame Bedürfnisse hatten, mit Männern, die Gewalt brauchten. Männer, die sich unterwarfen, die sich erniedrigten, die zu Kreuze krochen, die meine Pisse tranken wie aus einer Quelle der ewigen Jugend. Sie suchten nach einem Kribbeln. Sie quälten sich damit, sich lebendig zu fühlen.
    Ich habe sie nie verachtet.
    Sie waren verloren.
    Einfach nur schön. Eine andere Art von Schönheit.
    Du warst klassisch. Du hast nicht nach dem Seltsamen gesucht. Du brauchtest nur einen Funken.
    Ich bin nostalgisch. Ich bin älter geworden. Das gehört dazu.
    Ich habe in den Spiegel geschaut. (Und) Zum ersten Mal habe ich mich selbst gesehen. Ich habe mich wirklich gesehen.
    Noch zuvor hatte ich mich als Frau gesehen. Eine Frau, die das eisige Glas des Spiegels berührte. Nicht ganz sauber und geschminkt. Sie streichelte ihr Spiegelbild. Ein Gesicht, schwere Brüste und eine Haut wie Seide, die auf der Rückseite einer Armlehne ausgebreitet war. Ich sah, was ich mir vorstellte.
    Älter werden ist ein Schlag ins Zahnfleisch mit Klarheit.
    Altern bedeutet, das Bild für die Wirklichkeit aufzugeben.
    Ich habe mich selbst gesehen. Wie es ist, den Sand aus den Augen zu verlieren.
    Ich bin in einem neuen Alter. Ich bin nicht niedergeschlagen. Ich bin auch nicht traurig.
    (Aber) Das ist kein Ball am Vierzehnten Juli.
    Ich habe dir gesagt, dass ich mich rau fühle.
    Du hast mich angesprochen. Du hast gefragt: Wie viel?
    Du sagtest, ich solle einsteigen. Dass du den Preis ohne Widerrede zahlen würdest. Dass du für eine Nacht zahlen würdest, auch wenn du nur eine Stunde, eine Minute oder eine Sekunde bleiben würdest.
    Das Gute, das du mir getan hast. Das zu sagen. Dass du mich ficken wolltest.
    Dadurch wurde meine Haut weniger rau.
    Du bist nicht jung, du bist nicht alt. Du bist in dem Alter, in dem du weißt, wie man es richtig macht.
    (Aber) Du bist noch flexibel.
    Ich sollte dir das Geld zurückzahlen. (Aber) Du bist derjenige, der wie ein Gigolo aussehen würde. Ich bin mir nicht sicher, ob es dir gefällt.
    Diese Idee.
    Du bist wie alle Männer, du hast deinen Stolz.
    War es das erste Mal?
    Mit einer Hure meine ich.
    Du hast rücksichtsvolle Gesten. Du hast die Tür aufgehalten und ich bin vorbeigegangen. Das sind Gesten, die man hat, wenn man mit jemandem zusammenlebt, den man liebt.
    Eine Frau?
    Eine Freundin?
    Eine zeitweise regelmäßige?
    Ich hoffe, sie nimmt dich zärtlich. Ich hoffe, du hast das Glück, zu zweit zu sein.
    Es ist ein kühles Wasser im Sommer. Du streichst über die Hand, die Finger werden blau. Und du streichst über die Hand, weil es sich gut anfühlt.
    Ich hatte meinen Teil des Urlaubs, das habe ich dir gesagt.
    Ein Gebirgsbach, schimmerndes Wasser und glitzernde Reflexe. Ein Gesicht, klares Wasser. Sie fuhr sehr schlecht. Das « Véve » war oft mitten auf der Straße. Man wurde angehupt. Das brachte einen zum Lachen. Wir streiften die auf der anderen Straßenseite.
    Wir brüllten: « Zusammen, egal was passiert! »
    Wir machen uns manchmal lächerlich. Es gab Ausreißer. Irgendwann fing sie das Auto immer wieder ein.
    In extremis.
    Man fand wieder eine Linie, auf der man das Gefühl hatte, wie ein Langstreckenflugzeug zu fliegen. Ohne Hindernisse. Wie zwei weiße Flügel, die den Himmel durchpflügen. Ein vergänglicher Schaum.
    Ich hatte Glück gehabt.
    Ich hatte den Geschmack von unterschiedlichen Berührungen. Das Glück eines Kopfes, der auf meiner Schulter ruhte. Das Glück eines Geruchs, der zum Rausch wurde. Das Glück eines langen Haares, das von den endlosen Sommertagen etwas schmutzig war. Das Glück einer fast mütterlichen Brust. Das Lächeln einer Freundin.
    Ihr Gesicht, ihr klares Wasser.
    Das Geräusch des Motors, die staubige Piste, das Lächeln, das Wasser.
    Die Zeit, wenn du fährst. Sie ist ewig.
    Der Blick wandert von einem Ding zum anderen und wieder zurück.
    Das Motorengeräusch, die staubige Piste, das Gesicht.
    Der Regen fiel, ein Vorhang. Er kündigte das Ende an.
    Das Ende der Zeit. Schließung der Klammer. Wir gingen wieder anschaffen.
    Es war in den achtziger Jahren. Ich darf nicht darüber reden. Du würdest Angst haben. Du würdest denken, dass er immer noch etwas mit sich herumschleppt. Ich bin zwischen den Tropfen hindurchgegangen. Es hat keinen Sinn, sich zu fürchten.
    Das ist es, was mich krepieren lässt.
    Ich mag den Geruch von Tabak. Auch mit gelben Fingern. Das ist nicht sehr vornehm.
    Du siehst, wie die Zeit vergeht. Du bist immer noch hier und wartest.
    Wenn du noch einmal willst.
    Jede Haut hat einen anderen Geruch. Junge Menschen riechen nach zerknülltem Gras. Warme Gräser, Steine, die in der Sonne liegen. Sie sind ungeschickt, lassen einen glauben, dass sie alles wissen. Sie haben die Gesten von Kaisern. Eine erobernde Nacktheit, die er zwischen den Fliesen des Badezimmers und dem Fußende des Bettes spazieren führt. Ein unkontrollierter Eifer.
    Sie sind naiv und freundlich.
    Sie sehen aus wie Pinguine auf einer Eisscholle.
    Alle Hauttypen haben unterschiedliche Gerüche. Mit zunehmendem Alter werden sie bitter. Schweiß verwandelt sich in Salpeter. Alte Männer sind wie Pergament. All die Dinge, die sie erlebt haben, wollen sich ein letztes Mal zeigen, bevor sie verschwinden.
    Sie sind eine Seite, auf die man schreiben kann. Es gibt keinen Platz mehr, alles ist bereits geschrieben. Sie wollen mehr davon.
    Im Bett zerbrechen sie wie zu trockenes Schilf, bedauern ihre Trockenheit. Bedauern, sich selbst verhöhnend, den versiegten Fluss.
    Sie haben eine Erziehung, die sie aufrecht und würdig stehen lässt. In geschnittenen, engen Kleidern.
    Sie machen sich wieder auf den Weg.
    Bald bin ich in der Zeit der Pergamente. Die Haut ist an manchen Stellen schon gelb.
    Ich möchte, dass alle wissen, dass eine Hure kein Niemand ist. Das sollte auch aufgeschrieben werden.
    Das Fleisch ist nicht nur gekommen. Die Haut wurde nicht nur gekratzt. Ich habe nicht nur gestöhnt. Ich konnte nicht verschwinden. Ich war nicht nur ein angebotener Schenkel. Ich war so viel mehr als das.
    Mehr als das.
    Ich begann meine Arbeit auf der Straße mit den Straßenlaternen und der Metallbrücke, über die der Zug fährt. Dort, wo die Autos wenden, während sie über den Staub des Seitenstreifens rollen.
    Die Pässe wurden auf den Rückbänken gespielt.
    Ein Parkplatz auf einer Lichtung mit einem aufgehellten Himmel zwischen den Bäumen.
    Die Männer hatten Manieren, sie kamen in sauberen Hosen und mit einem gut polierten Rohr.
    Sie hatten Respekt.
    Ich war schön.
    Sie nannten mich: Der Stern des Nordens.

  • The woman who held a man on a leash

    The woman who held a man on a leash

    it is the story invented from a sensation, that is to say an uneasiness following the disclosure in the press of the actions of American soldiers in the prison of Abu Ghraib – Baghdad.

    Prologue

    An actress is standing in front of a table, on it, a pile of typed sheets. She turns over the first sheet and reads it with slight hesitation.

    This is fiction… I don’t know the real life of Lyndie England.

    The actress moves away from the table, looks through a real or imaginary window. A lost look like before an exam, a funeral or one of those things in life, one of those obligatory passages where you think you would be better, much better, in your bed, in the hollow of a forest or in the softness of an oriental bath.
    She returns to the table, sits down and resumes reading with a firmer voice.

    This is a fiction, I don’t know the real life of Lyndie England. It is a fiction, just as the images of CNN remained only fiction, the ghostly and greenish vision of a war.

    She stops, looks at the audience for a long time and finally resumes.

    My lawyer

    Maybe we could open a window?
    My lawyer wanted to speak for me… He thought I wouldn’t have the words… But I did.
    He tried to dissuade me, he reminded me that I did not study… I would have thought I was stupid.
    But it’s my life… Not his.
    So I am depriving you of a plea, I am depriving you of a professional and you will have to listen to me, it is my life after all.
    I’m sorry, I don’t want to displease you… I don’t want to turn you against me because I don’t know how to speak.
    My lawyer, he has the words. It just comes to him… As if they were well-learned formulas and all he had to do was drop them on the floor, like that, and everyone listens and looks at those words on the floor as if to pick them up. As if to do him a favor and give them back. Me, I don’t know… But this is my life.
    What I know how to do, the prosecutor told you, is to keep a man on a leash.
    And to show off in a photo… With a naked man and a leash.
    You’ve all seen this picture.
    It’s real.
    That’s me!
    That’s me laughing in the picture.
    And what you don’t know, because you weren’t told. Because the guy, he had a bag over his face, you can’t see it and they didn’t tell you, the guy, he was crying and his little sex, it was very small like when men are afraid, all retracted and that’s what I was laughing at… About his sex being all shrunken up.
    My lawyer is going to be mad, I wasn’t supposed to tell you… But if I don’t tell you, then you won’t know.
    It’s my life, you have to know. You’re going to judge me, that’s your job, so you have to know. I have to tell you everything and not only what happened on the days of the picture. But also long before.
    So I’m going to tell you where I come from, this country that is ours, these people who are our neighbors, our parents, our friends and our pastors. Then you can say what you want about me, what you want about my penance.
    Remember with me… Remember, a long time ago, I was not yet born, nor you either.
    But remember, because what happened there is the beginning.

    Oklahoma

    It’s a small town on a plain, it’s in Oklahoma, it’s a small town surrounded by a river inlet. At first, there was nothing but grass lying in the wind and clouds rolling over the hills. Then one day there was another cloud, dust, the column of wagons. You were not born yet, neither was I. Then there was a city, in the cove of a river… I come from there.
    Of course, I wasn’t there, nor were my forefathers or anyone close to me. We were still in Europe like most of us. We came later with the beginning of the new century when the small town had already made its place and the Indians were already parked further in the mountains.
    My great-grandfather, he got off an emigrant ship on the East Coast and a guy told him that for the job, you had to go to Oklahoma. That’s how my family moved to Oklahoma because some guy said there was work there.
    For my great-grandmother, that’s how it happened, she was from Greece. That’s all we know about her, she came from Greece and one day she came to town and it was like, everything that came before, it was erased.
    She married my great-grandfather because he had a job. That’s all. They weren’t very particular. They got married because he had a job and he wanted a wife and she thought that with a guy who had a job, she wouldn’t be hungry.
    You can think what you want, but they had other things to worry about.
    I’m not sure they liked each other, but at least she thought she wouldn’t be hungry.
    We think she’s from Greece because she always told grandma that when she died, she’d have to put a gold coin in her mouth to pay a ferryman.
    An old man with a boat who takes you across a river to the land of the dead.
    It’s a Greek story, so we think she came from Greece, but since everything has faded away, we’re not so sure.
    There was work because a talented guy had invented a process for rubber and built a factory. There was work because Mr. Ford made cars for everybody and he needed tires, lots of tires… So that’s when my family had a future.
    We have a photograph on the television where we see the great-grandfather in a suit, posing in front of the factory with some other guys. He’s not handsome and I understand that the old lady married him just to eat. He’s ugly, that would make you laugh.
    Then she… Who else would she have married?
    I must say that it was not fun for women, for single women, I mean. They were used by everybody and got diseases. They weren’t princesses, so when they found a guy, even an ugly one, they kept him like they would hide their savings under the comforter. You could keep a guy, especially if he had a job.
    We have another photograph, but this one is not on the TV. It’s in a drawer, at the back, under the laundry… It’s a picture that we don’t show.
    It’s a picture like I know there are dozens of them, and not only in Oklahoma. It’s a picture where you see the great-grandfather, he’s marked with a cross. It’s useless, he’s so ugly that you can recognize him right away, but they put a cross in pencil to show that he was there in the picture that day. It’s a picture where you see guys posing in front of a black guy. They are all laughing. Except for the black guy, who has his sex up. And the guys are laughing at this sex like we laugh at a beef at the fairground, when we go out with the girls to get crazy. They laugh at the black guy who is tied up, hung, lynched. He has a sign around his neck: « nigger »; and underneath, « white woman rapist ». The eyes are turned back, they are two white holes.
    He won’t have a gold coin in his mouth… He might still be wandering around here with the ghosts.
    You see, we’ve always had stories about the pictures in the family.

    Spanish flu

    Time, it slips through the fingers and they had children to fill a house on a small street. A house with its garden in front, and the swing bench on the terrace. When you get a job, you get a house, and we still live in the great-grandparents’ house. It’s like a migratory bird’s nest, we always manage to come back and nest there and that’s where I want to put my kids, I want to put them each in one of the bedrooms upstairs, keeping the little ones close to me, just in case… Just in case.
    Illness and accidents!
    It’s a bit ridiculous, but I already have motherly fears… Just in case, if by some misfortune, like them, I should see the white coffin go down into the earth, burying itself with the hymns and prayers of the pastor. To see the earth roll on the wood and bounce, before locking up in the night the bruised body of my too sick, too sick child… How they must have cried that day, over the stolen child, and cursed the impotence of the doctor. They must have cursed the whole world and the world returned the curse a hundredfold.
    The child was the first Spanish flu death in this town and soon, very soon, friends drifted away, neighbors became suspicious, and at the factory, great-grandfather moved in a bubble of emptiness.
    You know, not being touched by others anymore, it causes a stabbing pain, an oppression, a suffocation.
    In prison, we knew that, we always started with that, isolation… It’s more effective than fear or beatings.
    The back, he made a fist in his pocket and he got mean; sneaky mean. And every new check mark in the death column, a sheet posted at the Town House, secretly made him feel happy. He felt avenged, he saw the hecatomb fall on others, the epidemic hit the colleagues, and he told everything to his wife… It relieved him.
    The faces marked with tears, ploughed with tears. He told everything without forgetting anything.
    I saw these faces many times in the prison, twisted with terror, imploring and lamenting. They were taken off our knees and thrown into the dungeons.
    My lawyer is going to kill me, but I have to tell you everything if you want to understand. Yeah, we’d throw them in the dungeons, just like a jellyfish that’s caught in a net is unhooked and thrown back in the water. They were jellyfish… they weren’t men anymore.

    Twenty-nine

    Afterwards, time passes and calm and work in the factory returns.
    After time, the mourning of the dead child is done. Not completely, but done enough to make room for the other children. The ones who finally fill the house. And then there is the work and its new methods, a chain with electric motors, the heating baths and the smell of rubber. It’s a twelve-hour day!
    And when he returns from the back, he has to find time to repair the house that is falling apart, to help the mother who has children everywhere, in her skirts and in the middle of the road, little bits that are lying around. Then you have to play with them, wipe their noses, remove the snot. And they still find time to do other things with the mother… I wonder where they found the time?
    And the kids, mixed like that, they were less ugly than the back. The air of Greece, it was good for the faces. The great-grandmother had brought with her some of the beauty of that country… Even they forgot that the back was ugly.
    Maybe when you start to love, things become more beautiful.
    I didn’t like the mosques, with those minarets like old rockets. We called them: Prayer Scuds. Of course it couldn’t work for the prayers, it was like the Scuds, it couldn’t work. And we saw one, how can I put it, one, like the drawing of the Tower of Babel, with a spiral ramp that turns around an arrow and goes up to the sky… Like the drawing.
    Have you seen the drawing?
    The Tower of Babel… There, it was beautiful, sand-colored bricks, a stretched out sea snail that wants to talk to God. So there, it was beautiful. Afterwards, we didn’t call them Scuds anymore.
    I don’t know if I found it beautiful because I liked it or if I liked it because it was really beautiful, this mosque. These are things, I don’t know how to explain them… It’s like that.
    Then after, there was twenty-nine, the crisis. That’s why he became a security guard, to watch over the others. He didn’t have a choice, it was either the reds or this… It’s the crack of twenty-nine.
    And then there were the kids, the house was always falling apart. All this is money and it doesn’t grow in the fields. So he became a security guard at the rubber factory, at the gate, sorting out those who could work and those who had to leave on an empty stomach. He became a security guard because of his scary face, for once it served him well. Sometimes, he had to knock, to make room, to let in those who had the right to work, to push away the others, the skinny ones who had chosen the wrong side.
    For the children, he had carved wooden toys, for every Christmas, he had carved toys and we still have one or two in the house.
    They found him dead, great-grandfather, on the terrace swing… Dead, but with a smile on his face.
    The great-grandmother, she cried, she screamed like in Greece, she tore her clothes off. You wouldn’t see that now in America… I saw it in Iraq.
    Great-grandmother, what she must have screamed in despair and when grandmother told us about it… It made us laugh, not in front of her of course, but afterwards, with my sisters, in the yard, it made us laugh.
    In Iraq, the first time, the woman in black was rolling around on the ground, with little cries, like puppies yapping. I wanted to laugh, I thought about our family history, but that’s screaming… It twists your heart.

    1941, December 7

    The great-grandmother held out until December 7, 1941. They were all listening to Roosevelt on the radio in the living room, talking about infamy and the Japanese, and after a while they realized that the old woman was no longer listening, as everyone looked so upset. She wasn’t even listening anymore, she was already somewhere else. The great-grandmother, in the family, we say jokingly that she was the first victim of the Japanese, to have died on the territory.
    The men, they all took their responsibilities. That’s why grandma inherited the house. All her brothers went to the Pacific or to Europe. It became a town without men, a town with small empty gardens, and beds with single women who let themselves be made by the guys passing by. So Grandma, she got a guy from the railroad, a guy who would stay because he had a job and that job was important to the army, because the trains, they had to run all over the country with tank parts, airplane engines, ammunition boxes, all that junk that was going to Europe or the Pacific.
    Not one brother came back, so she really inherited the house. When it ended in 1945, not one brother came back and her husband, the railroad guy, joined the National Guard. To look good. The day before he joined the guard, he had been to the movies, he had seen a news item about the liberation of the camps in Germany. It struck him.
    Did you see what they did to the Jews?
    he always said.
    Did you see those camps?
    They were monsters!
    So he joined the National Guard, Grandpa, he didn’t hesitate. And he said that he would do the next one right away, that he wouldn’t wait… But he didn’t do the one in Korea either.
    It must be said that there were also problems that we did not expect. Problems with the National Guard and even more serious problems later, in the sixties. Blacks felt increasingly cramped as if they had been given an ill-fitting suit that was too tight around the shoulders and they had to flex their muscles to make room. Blacks began to take to the streets, to march and protest. Wanting the same schools as the whites and taking the jobs of the foremen.
    All of this, all of these problems, became work for the National Guard.
    It was a tough time for them and they had a lot of questions. It was during these years that they hid the photo in the drawer under the laundry.
    Grandpa, he said he had learned to deal with it… He was not happy when Kennedy was elected, he knew that it would not be the same as before. That’s when he left the railroads and opened a gun shop on Main Street. A gun shop with camping equipment.

    Dad

    They were happy years, I think. So happy, that it was there, late, when it seemed more possible, that they had Daddy… It’s funny, I say Daddy, but it wasn’t Daddy, it was a pink thing. You don’t say daddy for a baby that has just come out and is clinging to your breasts, but nevertheless, it was already my daddy.
    When we had to give up in Vietnam, Grandpa said it was the first domino that fell. That it made a thunderous noise. That no matter how much the kids filled their heads with long hair, it made a thunderous noise and that we had to be ready, that our freedoms were going to have a strange taste.
    It’s true, in the end, the world had changed, the danger was closer, more immediate… Then on the other hand, his armory never made so much money. They even paid for vacations in Washington, D.C., and then in other cities. He wanted to show his family the important places in the country. The four presidents’ heads carved into the rock, the Capitol and the statue of Lincoln. In eighty-four, they visited the Black Wall of Vietnam Heroes, where you run your finger across the marble to read, as if in Braille, the list of the fallen. I too, later on, went through this wall… I brought back a cold hand.
    Dad, he chose the army. He didn’t wait for the recruiting sergeants to come to the schoolyard. He didn’t wait. He wrote directly to sign up for the Rangers. So they took him in and he made a career out of the army.
    It wasn’t brilliant at the time. Carter had let it all go.
    Iran… Nicaragua… The Soviets were stronger than ever.
    It’s true that he prayed a lot, but what’s the use of praying if God isn’t on your side? Carter, he prayed to God, but the God of the weak.
    We had too many setbacks under Carter and Dad, it made him mad. The Rangers don’t like to drop their panties. So with his unit, they had a great wedding when it was Reagan. Ronald Wilson Reagan… the fortieth president of the United States. And things started to change. We didn’t let anybody make fun of us anymore. There was a slogan: America is back.
    And Dad and the Rangers were back in Grenada, Panama, Nicaragua, El Salvador, and even Afghanistan, secretly, and they showed that it wasn’t just a slogan, America’s back. It was something to be proud of. We forgot it too quickly… But without Reagan, it wouldn’t have happened. And there would still be the USSR and its gulags.
    Dad, he lived those years in the field… He married mom.
    Grandfather died, so he came back with his wife to run the armory. He came back with his uniform, neatly folded, and put it in the drawer with the laundry and the old picture. That was the end of his military years, his own, now he would stay in the city and he would campaign with the Republicans… Then it was the year of the big relocation. It was cheaper to have tires made in Mexico. That was the end of rubber in our town. It was the end of a lot of things, but Dad stood his ground and told the people who were leaving the Republicans his way of thinking. Those who didn’t believe in liberalism. He told them that lessons are what make a man, and that the city would become a great city again, with beautiful parades and everything. He believed in it, really… He was right to believe in it, faith can’t be explained.
    And the armory was doing well. All the empty houses, the deserted streets and the idle blacks with their old cars, all that sold weapons. You never know; you can’t fool with security.
    They did it to me during the Reagan years, but now I don’t remember very well… It’s ridiculous what I’m saying here, when I say that I don’t remember very well. It’s not when they made me, but it’s the Reagan years that I don’t remember very well. It’s bits and pieces that come back from my childhood, maybe memories that are barely marked in my head.
    The huge hide-and-seek games in the ruined houses, the deserted streets and the empty cars, that I remember. Later, I still remember the parades of the first Gulf War when the veterans came back. We were put in front, the Twirling girls, with little yellow skirts. We threw our sticks high, we had big smiles and behind us, the guys, who were walking at a pace, without any real discipline because they were happy to be back, because they were proud, because they had won.
    Dad at the edge of the course, who had put on his parade uniform and was waving straight, hand in hand, and all those people throwing papers from the Town Hall, the firemen blowing the horns of the trucks. It was quite a party when the guys came back and we had beaten Saddam…
    The first time we ever kicked his ass.
    It was a hell of a fireworks display, from the colors to the stars. We watched it from the terrace of the house. Dad had made punch, he let me drink and we were all tipsy. We did like the Arabs, we fired shots in the air and nobody told us anything. Finally the war wasn’t so bad, that’s what we thought. We watched Schwarzkopf on TV, he was walking in front of all his guys, his people. They had done a good job with Powell and Bush… Sure they did a good job.
    I don’t understand why they lost the election, I don’t understand why we got Clinton. It was under Clinton, in Mogadishu, Somalia, that the black falcon fell. A whole helicopter full of guys. It was under Clinton that we started losing again. It was under Clinton that the city continued to empty. He wanted to take care of Bosnia, his interns, and he didn’t take care of the country.
    That’s it, we weren’t proud to be Americans anymore and that made Dad die.
    I couldn’t see anything. I played in empty houses and prayed in church for Sunday services. I could see myself in the Rangers. We practiced shooting, Sunday shooting. I had boyfriends, but it was no big deal. I didn’t get the grades I needed in school. To tell you the truth, I was behind. I’m not stupid… I’m slow. I understand everything slowly. It would have taken me a while and then I could have gone to the Rangers.
    But under Clinton, it was the bridge to the twenty-first century. The others, they had computers in their heads. I was one of those old crank machines that you turn and it comes out with a badly printed ticket. So we all voted for Bush. It’s not true that he cheated… We all voted Bush, so help me God.

    .

    Nine / Eleven

    There is a day in the life of men. Of all men… Not just Americans.
    There is a day when everyone remembers; where they were, what they were doing, what they were thinking.
    I was swinging on the terrace. I wasn’t doing anything else but swinging on the terrace. I was with too tight jeans and holes in my knees, on the swing, back and forth, a little dizzy, with ideas in my head and heat in my stomach. I was fine and was counting on Daddy’s help to get a job. I thought about that pistachio ice cream that was in the fridge. I could taste it in my mouth already. My stomach almost hurt from swinging and I put my arms up, hanging, stretched on the chains of the swing to erect my breasts.
    Dad; down the street; running… That’s when I knew something had happened.
    He was crying, it wasn’t Niagara, no. He was crying and from a distance he yelled to turn on the TV.
    Did you see how they fell; slowly… We didn’t see anyone fall.
    We didn’t show how they jumped down so they wouldn’t burn alive… But, it’s like we saw them all.
    So we got the rage, the kind that comes from the belly and we would make him pay for it. We immediately talked about Afghanistan, or Iraq; I don’t know.
    Dad thought I joined to please him. No, I enlisted for myself. Out of rage. Out of curiosity… It’s still a job and a job was good to have.
    That’s how I ended up in Iraq.

    Euphrates

    I was nineteen years old. We boarded a troop transport, in the belly of a plane. I was nineteen years old and we had just finished training, three months in the Nevada desert. We landed in Europe, I think in Germany, and then in Arabia, we landed in Arabia, right.
    It was there in Arabia that the instructors taught us how to guard the guys. They taught us how to put the electrical ties on with our hands behind our back. The plastic bag over the head, with just that regular little tap, a tap on the skull, it pulls the bag back and it lets the air in. You have to let the air out every once in a while, otherwise the guy might choke and we’re just trying to get him into a state of discomfort, into a state where he’ll talk. So we’ll just have to push him. A blow in the parts, the fasteners that we serve a little more to cut the circulation or the bag that we ventilate less and less. Then the guy starts to get really scared and that’s when he cracks.
    I learned all this in Arabia. We needed guinea pigs. We didn’t have anyone in Arabia yet. So we all took turns playing the prisoner, and it felt strange, like a kind of forbidden pleasure, because we knew that it would stop.
    One day, the noise of the planes became terrible, a continuous buzzing. They didn’t stop. As soon as they came back, they left again.
    We were told to pack our bags, and that’s when we knew it was happening. We found ourselves in a column of tanks, Humvees, ammunition transports, tankers with water, caterpillars firing artillery, and on top of all that, a ballet of helicopters to guard and protect us. We used to joke that they were our pastors, our good shepherds.
    I was a little afraid because that was it… If a soldier tells you that he is not afraid, it is not true. I was a little scared and I felt excited. We all were, excited.
    Over the noise of the engines, you could hear the roll of the bombing and it made you feel better. We told ourselves that every time we hit the goal, there would always be a few less to block our way. Then everything skidded, as if in molasses; the column broke up, there was a gas alert and we found ourselves lying in the sand with our chemical equipment, dying of heat, and we had our first death: sunstroke.
    On our right, there was firing, so we saw Abram tanks move into position and open fire.
    Baow! Baow!
    The ground vibrated with every shot. They stopped quickly, they had fired on our guys, up front, and there were casualties… They call it friendly fire, but there’s nothing friendly about it, it dislocates you, it dismembers you as if it were enemy fire.
    The column started moving, and we passed through a village, or rather what was left of it. Blackened walls, and here and there, charred bodies. There were only charred bodies. Not a guy who’d been shot. Just these things huddled in weird positions, like bugs after a good fly-tox. There were British soldiers too. They looked like they were catching their breath, guns in hand, and they looked at us with contempt. They were the ones who had picked up the friendly fire; maybe? We never knew… We drove one more night, then one day, and we found ourselves in front of a river, a wide river. We saw black and swollen bodies pass before our eyes. They were so bloated that we never knew if they were cows or men. We had reached the Euphrates… It was the next day that our group became the vaporized section.

    The Vaporized

    It’s a funny name we were given, the vaporized section.
    Actually, it was an easy job. We were right in between the head, which was going straight ahead, putting Saddam’s troops on the run, and those who were following us to occupy the country and take care of all the shit problems. We were in the middle and took care of the vaporized… The vaporized, it’s simple. It’s the guys who were in a tank or something more or less armored. The Iraqi tanks were not really solid against the Apache missiles. This is how it happens, an Iraqi armored vehicle hides in a palm grove or in a sandy hole and waits for us to arrive to drop a few shells. Then, twenty kilometers away, in the sky, like the finger of God, there is an Apache helicopter that drops its missile, something that flies faster than the speed of sound and that rushes on the palm grove or on the hole in the sand. The guys, they don’t hear anything coming, sure, they don’t hear anything at all. Then it makes a little hole, a little hole in the armor and it explodes right in…Baow!
    It vaporizes everything in there.
    Our job was to secure what had been vaporized.
    I remember we had a history teacher, she showed us pictures. Do you remember the picture, Hiroshima or Nagasaki?
    I don’t remember… The photo where you see the shadow of a guy on a wall. He was fixed, like a shadow, at the moment of the explosion, he was captured at that moment. He no longer exists, but his shadow remains. If he had been drinking tea, we would see him drinking tea. If he had been making love, we would see a shadow making love.
    We would check that all the shadows were in their proper place in the armor. These missiles worked so well that often there was nothing to clean.
    It’s funny, I’m talking about the shadows, but in fact it was quite rare. Most of the time, everything was so charred inside that there wasn’t even room for the shadows. Then sometimes, there was still cleaning to be done. A guy who had opened the turret, to get some air. Vaporized underneath and the other half of his body thrown further away. Dazed to have been cut in two without expecting it, with his hands and fingers planted in the ground, as if clinging to life, like a climber who feels his grip slipping away. Then we put him back in his tank and cleaned up with an incendiary grenade.
    We followed the front line quietly, in a kind of No Man’s Land, a peaceful strip where nothing can happen. It was as if we were walking behind the line of flames in the forest fires, things are starting to get warm, but the animals haven’t returned yet. Everything is still and quiet… There was more and more armor spraying, so we fell behind and started to see people, mostly women, venturing out. They were coming out of their holes to look at what had happened. And when they understood, they would do like great-grandmother, they would scream and tear their black clothes.
    It’s strange, I thought they would be happier to see us… We were there to free them.

    The mosque

    We had crossed the world to come and free them from Saddam. We had risked our lives and they were screaming and tearing their clothes as if we had been the Huns… I remember Mulan: The cartoon. Mulan, she fights the Huns!
    Sometimes I wonder why we came all this way. When they had finished tearing all their clothes, suddenly like the wind falls, everything would calm down and they would start long litanies. Softly whispered songs and we could see men, civilians approaching too, and children, and dogs… We let it go, it was as if we understood that we were not at risk.
    One evening, we stopped at the edge of a village, we stopped in the shadow of a mosque. The sea snail who wanted to talk to God, I already told you about it. We stopped and we were very happy with the job we had done. We knew that Saddam had lost. That it was only a matter of time and that all the bastards, the executioners in his government, Chemical Ali and all the other scum in the card game, were going to be caught and that they would have to do justice. We were thinking of the images of the gassed people of Halabja; you have seen these images, with the little swollen bodies, the children clustered around their mothers, the little bodies hanging out in the streets as if looking for air. They should report on this… We were happy with the job.
    In the evening light, I looked at the mosque and saw a man slowly climbing the spiral to the top. It was a black dot, moving, slowly advancing on the golden color between the orange spots, crossing the shadows of sand, and suddenly making his silhouette appear on the blue cut of the sky. Regularly, he disappeared to reappear again. When he reached the top, he intoned the evening prayer.
    I already spoke about the beauty. It’s a trick, we don’t understand. It’s not like the little jewels in the supermarkets, that’s pretty right away… But there it was more.
    It was a tea, like honey on these days, on the smells and the sand that we swallow. Don’t get me wrong… I was not going to believe in Allah… Why would I believe in a God that was not mine?
    What I saw, what I heard, was the pure and beautiful voice of a man in the middle of chaos. I didn’t care if I lived or died, there was room for music and its tenderness.
    A mother, to put her children to sleep, sings the lullaby. She often takes the deepest voice, the deepest. A cigarette voice and the child slowly falls asleep.
    I felt warmer and warmer, I mean, an inner feeling like when you roll up in a comforter and you are careful not to let the air in through the holes, to keep the heat in and the body warms up, and there is a feeling of well-being. I fell asleep during the evening prayer.

    The singing dogs

    The others told me that it was a strange night, that the sky was clear and dotted with stars. The dogs started to sing. They told me that they were the singing dogs like in the Cherokee legends. The legends that tell of how the spirits of the dead come out of the earth and marry the trees, rustle the leaves and join the circle of the living. The singing dogs that accompany the spirit’s journey, barking and hopping, guide it to its tree and show it its new home.
    But, with all this desert, with all these vaporized, with so few trees in this country, what homes can the singing dogs propose to the dead?
    Maybe the spirits had been vaporized too…
    The others told me, but when I woke up, there was no dog, no star, just a morning mist and the order to get back on the road, erasing, as if with a sponge on the blackboard, the silhouette of the mosque.
    We joined a convoy and we progressed on the edge of the sands. There was a hindrance, the vehicles stopped, that’s when the first shot slammed into the knee of a lieutenant. He collapsed in the ditch. We all ran for cover in that ditch behind the Humvees. We couldn’t tell exactly where the shots were coming from, but every time someone came out, they were hit.
    A sergeant who had experience said it was four guys, four he was sure, who were hidden in the sand, buried in a dune, not two hundred yards away.
    I was scared and almost wet myself. It must be said that fear doesn’t come right away, first you have reflexes. You run and throw yourself in the shelter, but the shelter is so small that you have the impression that everything sticks out and will make a nice target.
    I was thinking about the singing dogs and I didn’t want them to come and sing for me, so I would close my sex so I wouldn’t pee on myself. I would close it tight and that gave me some peace.
    There was nothing we could do about these invisible shooters. We had to wait for an Abram tank. It arrived about noon and we expected it to get into position to fire two or three shells. Spray the sand and what was in it… But he didn’t do it. Instead, he moved forward carefully. The pilot of the tank, he must have been very angry because of our guys being hit, and we, when we understood how he wanted to do it, started to howl with a violent joy, a relief that came from the stomach… We became a pack of singing dogs.
    The tank searched the sand and flushed them out one by one. There was a moment where each time, the man tried to stand up, to straighten up or on his knees to beg for mercy. But the tank swallowed him, crushed him and the screams of the crushed man drowned in our satiated yapping, in our immense joyful clamor. A clamor of satisfied revenge. Suddenly, calm came all of a sudden… We could hear the regular beat of the diesel.
    The tank had stopped for a moment in the middle of the sand, as if to check that there were no other prey. Then it left. Many of us threw up. It was like a relief.
    Vomiting is strange. You feel better afterwards… Where the men had been crushed, it was a bit like where we had thrown up.

    Baghdad

    We arrived in Baghdad.
    We had to hurry because our troops had definitely pushed the Iraqi guards. They were running out in total confusion and we had to run to Baghdad because there were riots. We were quite happy because we thought that the riots were like what we had seen in Romania or in Berlin when the wall had fallen, like what we had seen on TV.
    So we got all dressed up, we looked tough and we stuffed our pockets with chewing gum to hand out… We were the liberators after all.
    We told each other how we would shake the hands of passers-by, the hands of the crowd and the children we would hold. How we would hold ourselves to pose well for photographs and the people we would take prisoner to protect them from lynching. We would know how to be gentlemanly, magnanimous, but firm. We brought democracy and justice. It’s true that we were all fired up. True missionaries with white hands bringing knowledge and happiness to all those copper hands. It’s true that we were pumped up.
    There was one guy who didn’t say anything, a guy in the back of the Humvee, who didn’t look good, who didn’t stuff his pockets with gum and seemed to be waiting for the rain to fall from the sky. For days, he hadn’t said anything, and then, as we arrived at the gates of Baghdad, he told us that Mesopotamia used to be there, that writing and other things had been invented there, that it was the cradle of humanity. He fell silent, as if relieved to have dared to tell us all this, as if he had emptied his bag… In the silence that followed, a voice said that we didn’t give a damn about all that.
    I was not very sure, I remembered the snail mosque and the singing in the night.
    We entered Baghdad. We saw the first riots and we understood that it wouldn’t be like in Berlin or Prague, it wouldn’t be velvet, these were riots that we didn’t understand. The faces were closed and the civilians carried Kalashnikovs. We had our finger constantly on the trigger and there were blunders, it’s normal, there were blunders because it was so messy.
    We approached a huge building, it was a museum. It had become a souk where everyone helped themselves and broke what they didn’t like or what they couldn’t take away. They would pair up to carry a stone statue, push a cart with gold vases, others had scrolls in their arms and we thought it was this museum we had to protect. So we spread out quickly, we established a cordon.
    The guy who wasn’t saying anything looked a little happy for a moment, as if he’d suddenly served a purpose.
    Then, before the crowd dispersed, an officer arrived and ordered us to go to the oil ministry. People elsewhere were grabbing furniture and computers. It was a real looting, the equipment of the Ministry of Oil was flying all over the place and we had to stop it.
    We had not yet had time to leave, to climb into the Humvees, that the crowd was already coming back, as if swollen by a rainstorm. We saw passing under our eyes, the collections of the museum… It was incredible.
    Fortunately, later, we were able to save the Ministry of Oil.
    The guy who didn’t say anything has said even less since that day. I think he went back to the country after a medical check-up… He had some kind of autism, you know the disease of children who live in a different world from us and don’t want to talk to us anymore.
    Afterwards, we set up a base at the Baghdad airport, with everything we needed and enough barbed wire to be separated from these half-mad people. You have to have seen it, but when you have seen the Baghdadis up close, when you have seen how they look at you, then you know that they are half-mad.
    It has become: Baghdad Routine… Even madness has a routine.

    Abu Ghraib

    One day they needed volunteers for Abu Ghraib prison, to prepare the prisoners for interrogation. They needed people who had been trained in Arabia and knew the preparation techniques. I stepped forward and was put into the new unit for the prison.
    I got to know Richard, Sergeant Richard Fulton. A lot has been said about him and me. It’s true that I’m pregnant.
    It is true that I am carrying his child. It’s true that I slept with him, even though I knew he was married and had two little girls, four and six, Kelly and Jessie. It’s true that I knew all that, but if I’m pregnant with him it’s because we love each other… We didn’t just have sex.
    It’s true that we had fun and we did it in every way. It’s true that everyone knew, but what’s more true and what everyone needs to know is that I love him and I’m carrying our child.
    We started the job with Republican Guard officers, tough guys who were not intimidated by our preparations. Then an intelligence officer came up to us and told us what a shitty job we were doing, and that our guys getting their throats slit in the streets of Baghdad should be ashamed to be dying for wimps like us. He was screaming, this guy. Some guy, I never knew his name. He was screaming and it’s true that he never told us what to do. That he stayed white as snow.
    That he could not be blamed… He kept his hands white.
    So we invented things that we hadn’t learned in Arabia.
    Things as old as the world. I say we invented, but others, before, must have had the same ideas… The metal bed frame and electricity.
    And above all, humiliate, humiliate by finding weakness. The weakness of a man, it is in his nakedness that one finds it.
    Now when I think about it, I must say that I had doubts. It’s true, you have to believe me. I still asked myself questions. At the beginning, it’s normal, you ask yourself questions. A guy, even if he is one of those bastards, a guy who screams, who implores, who looks at you as if you were his mother, as if you had the tea to bring down the fever, as if you had the medicine to lift the child, the sleeping pill to face the night, a guy like that, it brings tears to your eyes and you know that it’s not a game, those tears. That he’s really hurting… So you break down or you turn the situation in your favor.
    You become the master again.
    When they looked at me like that, I used to hit them in the balls with my baton. Then they didn’t dare to look at me with that pleading look… They didn’t dare to look at me anymore.
    And it was as if I was in a train that lost its brakes. A train going down a mountain and it lost its brakes… I was getting good results.
    After the sessions, I felt bad. You know, sometimes you punish a child, you scare them, and they break down into big tears. You know you were right to scold him, but, those big tears, it breaks your heart and even though you don’t show it, inside, it makes your heart that big, yeah, that big.
    You hold back everything you can, but then it has to come out, it has to be emptied and the instructors told us that it was normal.
    That we had to get rid of it, even though what we did was just… We had to dump it out.
    I would throw up in the bowl, I would lock myself in and throw up in the bowl. I don’t know, maybe half an hour, maybe more, and then I’d have to wash all that emptiness out, and then I’d have to fill it up again. Fulton would meet me in the shower and I would fill that void with sex and alcohol. Stunned like a rabbit before ripping the skin off. Stunting each other so hard that Fulton and I thought we were happy, between the violence and the tenderness.
    You may think I didn’t ask myself any questions.
    That’s not true!
    I asked myself a lot of questions, but I didn’t have any answers, I didn’t have time to find answers between the showers, Fulton and the sessions.
    The snail mosque with its spiral path, remember?
    It was like rolling down from the top. I was rolling without being able to hold myself back… Didn’t you ever have any pleasure in doing harm?
    And yet, you, you stayed in the country, without risk and without guys torn apart in front of your eyes. But deep inside you I know that there is revenge and that if you could nuke them all, all without exception, you would do it, you would do it, I’m sure…
    So I, lost, I did what you whispered to me in your dreams. I heard your dreams, the dreams of a whole country. Dreams kill as surely as rat poison. I’m a girl of the American dream… The bad dream… The bad dream.
    What a piece of shit, my lawyer’s gonna kill me, it sucks to accuse you.
    I thought of the picture of my great-grandfather, the nigger with a hard-on, the white woman rapist. The picture that was sleeping in the drawer, under the laundry. And I told Fulton about it. That’s when we got the idea to do our pictures too, to bring them back home, to bring them back as trophies…. If we hadn’t done those pictures, I would never have been here.
    I would never have been called the woman who held a man on a leash. None of this would have happened. I would be like the Apache pilot, a good girl, who did her duty.
    He, the pilot, the sprayer, he won’t get a trial. He just sprays, that’s all!
    The general is in charge. The president orders… I’m holding a naked man on a leash.
    What a piece of shit.
    I suspect now what I must know about war: shame… A shame to bury yourself alive.

    She leaves, then stops for a second at the edge of the stage. She looks at the audience.

    I don’t know the real life of Lynndie England… It’s fiction.

    She walks out.

  • Thisbé et Pyrame

    Thisbé et Pyrame

    La plus belle histoire d’amour de l’Occident est ici contée par un chien, un chien chanteur, un chien qui danse. Il mène à la rencontre de deux êtres, issus de peuples adverses, celui du Lait, celui du Cuivre. Par une fente, il fait sentir l’haleine d’une jeune fille de Cuivre, Thisbé, à un jeune homme de Lait, Pyrame. Malgré leur couleur différente et la haine apprise des deux côtés de la haute muraille qui les sépare, ils se trouvent dans le vide, juste sous les étoiles, dans le bouleversement de l’amour fou et du temps de marbre. Mais, ne sont-ils pas qu’une fresque effacée, arrêtés pour l’éternité dans un impossible baiser ?

  • la mort de Vladimir

    la mort de Vladimir

    La Mort de Vladimir évoque en toute simplicité la vie d’un bébé très méconnu et tout à fait célèbre, puisqu’il s’agit de celui qui se trouvait dans la poussette du film « Le Cuirassé Potemkine » d’Eisenstein. On le surprend alors qu’il dévale les escaliers d’Odessa sous le feu des soldats, début d’une vie faite toute entière d’aventures et de luttes qui traverse le XXe siècle. Sans surprise, à la fin, il meurt !